建筑随山势分布在5个高差之上,掩映在绿树之间,从山下往去,俨然一座中世纪的小城。由此,照明设计的理念便应孕而生,“天溪湖畔的圣托里尼”成为建筑照明的目标。
我们也分析了圣托里尼夜间景象的特征,发现光都是在内凹部分分布最多,随着建筑的不断堆叠,就形成了异常丰富的光影的亮暗变化。
因此,在这个项目中,我们将光的设置大多放在建筑内凹位置或者完全建筑的内侧,这样既能让建筑的主要结构特点得到体现,同时外部和表面都处于暗部,当所有建筑在横向和纵向都联系在一起时候,就会出现不断重复的亮暗的变化,再加上各栋建筑朝向的差异,这种变化就更加丰富了。
光制造的影像唤起了人们熟悉的记忆,让他们感动。
Seen from the top, the buildings standing in the distribution of 5 height difference of the mountain looks like a medieval town hidden among the trees.
And an idea of illumination design appears, which is the sample of architectural lighting—the Lake Santorini.
We analyzed the features of Santorini’s nocturnal scene and found that light is most abundant in the recesses, creating an unusually rich variety of light and shade as the buildings stack up.
Therefore, in this project, we placed the light mostly in the recesses of the building or on the inside of the building, so that the main structural feature of the building can be reflected, while the exterior and the surface are in shadow. Once all the buildings are connected horizontally and longitudinally, there are repeated variations of light and dark, which are enriched by differences in the orientation of the buildings.
the image arouses familiar memories that move people.